{"title":"- New wave \/ Post-Punk","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New wave \/ Post Punk, Dark Wave, New Wave, Post Punk\"}' data-sheets-userformat='{\"2\":4609,\"3\":{\"1\":0},\"12\":0,\"15\":\"Century Gothic\"}' data-mce-fragment=\"1\"\u003eNew wave \/ Post Punk, Dark Wave, New Wave, Post Punk\u003c\/span\u003e","products":[{"product_id":"mariedavidson-renegadebreakdown-lp","title":"Renegade Breakdown | 2LP","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eMarie Davidson | \u003cem\u003eRenegade Breakdown\u003c\/em\u003e\u003c\/strong\u003e (2LP)¬†\u003c\/p\u003e\n\u003cp\u003eMarie Davidson is back with a new album, a new band, and a bold new sound: Renegade Breakdown on Ninja Tune. Arriving under the banner of Marie Davidson and L‚ÄôOeil nu, a trio formed of three old-time friends and long-term collaborators with shared roots in Montreal‚Äôs DIY scene: Marie, Pierre Guerineau and Asa√´l R. Robitaille (the former two are also husband and wife, and partners in the group Essaie pas). Drawn to the idea of the eternal return, they deliver a forward-facing, innovative pop record that builds on the classic tenets of Marie‚Äôs music to create something that strikes out towards a broader audience. With dark humour and interpolated musical influences - from Fleetwood Mac to Kraftwerk, and jazz classics such as Billie Holiday and Chet Baker - they spin each of its entries in wildly imaginative directions.\u003c\/p\u003e\n\u003cp\u003e12‚Äù gatefold sleeve with both sides opening. 140g black vinyl 2LP in inner sleeve one side (black) (inserted back cover side)\u003c\/p\u003e\n\u003cp\u003ePoster insert (58cm x 84cm) folded to six panels per side.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 25.09.2020\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/0ttippsmFz8st2fYSNcTOS\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marie Davidson","offers":[{"title":"Default Title","offer_id":38237743841429,"sku":"ZEN267","price":1490.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/01.mariedavidson-renegadebreakdown-lp.jpg?v=1631590711"},{"product_id":"bonadish-thezaragozatapes-lp","title":"The Zaragoza Tapes 1981-82 (CT10Edition LP) | Pink LP","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eBona Dish | \u003cem\u003eThe Zaragoza Tapes 1981-82 (CT10Edition LP)\u003c\/em\u003e\u003c\/strong\u003e - Pink LP\u003c\/p\u003e\n\u003cp\u003eTo celebrate Captured Tracks' 10th Anniversary, a limited edition pressing of the vinyl is now available on pink vinyl. Limited to 500 copies.\u003c\/p\u003e\n\u003cp\u003eBona Dish were a scratchy pop punk group from Hertfordshire villages, brought together by their love of the Velvets, Supremes and each other. They were cool, handsome and gorgeous. The songs are simple, but at the same time complex. The two girls, two boy's line-up added a tension that was both sexual and musically fragile. You felt it might all fall apart any second, but it rarely did. After their \"cassette in a tube\" ploy worked for John Peel play, the band released a cassette on InPhaze and disbanded not long after. Collected here is a rediscovered gem showcasing the zest and spontaneity that gripped the UK DiY scene of the time, standing up to contemporaries like Television Personalities, The Homosexuals and Marine Girls.\u003cbr\u003e\u003cbr\u003eThis release marks the first vinyl and CD release for Bona Dish, their complete recorded output compiled and newly mastered.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 09.04.2013\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/4i0HuUY7hUqzCNBY9K4NHR\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Bona Dish","offers":[{"title":"Default Title","offer_id":39248221503637,"sku":"CT-173-C1","price":990.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/image_1024x1024_b0ecab1a-387c-4df8-88ba-e6eb9df251c2.jpg?v=1614159555"},{"product_id":"capitalpunishment-roadkill","title":"Roadkill","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eCapital Punishment | \u003cem\u003eRoadkill\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eIf I was to tell you that a band of NYC teenagers who met in 1979 decided to form a band influenced by Cabaret Voltaire, Throbbing Gristle, Eno, Chrome and all sorts of proto-industrial music, it would be enough to peak your interest. If you learned they went to the lengths of recording an album while in high school without a label or distribution and actually pressed a couple hundred copies, even weirder. Now those records sell for between $200-$500, which perhaps isn’t unusual for such a rare record. You would expect the unlikely story of Capital Punishment’s “Roadkill” to end there—which would be cool enough. Except it doesn’t.\u003cbr\u003e\u003cbr\u003eYou then find out the band consisted of a future Supreme Court Justice for Arizona, a Professor of Slavic Studies, an Musician\/Documentarian whose family built the Brooklyn Bridge and an A-list world-famous actor. The story goes from being about another rare, privately pressed recording that’s been re-discovered, into something that’s pretty incredible. \u003cbr\u003e\u003cbr\u003eBeyond whatever curiosity the membership entails, this record is a great example of the kind of home-spun, DIY post-punk that spaghetti-stained, bearded and\/or balding collector scum drool over at dimly lit ego-stroking record fairs. “Delta Time” is a post-punk anthem, written on a lark, with a tongue-in-cheek British accent that sounds like if Television Personalities decided to become kind of scary. “Confusion” is an industrial psychedelic standout, with an eerie synth-lead verse that segues into a glam-rock chorus straight out of the Mick Ronson playbook. “Muzak Anonymous” is Beefheartian, Gong-afied freak-funk that needs to be heard instead of explained.\u003cbr\u003e\u003cbr\u003eCaptured Tracks is announcing the expanded, remastered reissue of Capital Punishment’s 1982 sole LP Roadkill. For a band of high school weirdos who actually got their shit together enough to make a completely uncommercial album with no means to sell it and still “release” it shows a lot of determination, persistence and perhaps insanity. But it’s always those kind of weirdos who go on to do great things. Just ask Judge Peter Swann, Professor Peter Zusi, Kriss Roebling and Ben Stiller.\u003c\/p\u003e\n\u003cp\u003eBlack vinyl reissue housed in a full color sleeve with a printed inner-sleeve and inserts 8 page booklet with photos and detailed liner notes by Ben Stiller, the band and Mike Sniper.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 14.09.2020\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/0B7vJhWksiwr8JA8aqA2VS\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Capital Punishment","offers":[{"title":"Default Title","offer_id":39248221536405,"sku":"CT-277-5","price":1150.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/image_1024x1024_8e4c2051-bcb7-406d-8fe8-6923b003074c.jpg?v=1614158949"},{"product_id":"diiv-deceiver-lp","title":"Deceiver | LP","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eDIIV | Deceiver - LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRebirth takes place when everything falls apart. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite…\u003cbr\u003e\u003cbr\u003eThe same could be said of the journey these four musicians underwent to get to their third full-length album, Deceiver. Out of lies, fractured friendships, and broken promises, clarity would be found.\u003cbr\u003e\u003cbr\u003e“I’ve known everyone in the band for ten years plus separately and together as DIIV for at least the past five years,” says Cole. “On Deceiver, I’m talking about working for the relationships in my life, repairing them, and accepting responsibility for the places I’ve failed them. I had to re-approach the band. It wasn’t restarting from a clean slate, but it was a new beginning. It took time—as it did with everybody else in my life—but we all grew together and learned how to communicate and collaborate.”\u003cbr\u003e\u003cbr\u003eUltimately, DIIV’s rebirth is a hard-earned and well-deserved new beginning.\u003c\/p\u003e\n\u003cp\u003eBlack vinyl pressing housed in a full color sleeve with kraft paper OBI strip and 12\"x24\" poster insert.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 04.10.2019\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/66aYL3AZPfk6leHxlJDYQ0\" width=\"300\" height=\"380\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DIIV","offers":[{"title":"Default Title","offer_id":39248222060693,"sku":"CT300lp","price":1490.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/CT300_1800x1800_c4f4b649-8143-4275-9bc8-74f2440c9c2e.jpg?v=1614160055"},{"product_id":"oxz-along-ago-boxset","title":"Along Ago: 1981-1989 | Box Set | Colored 3EP","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOXZ | \u003cem data-mce-fragment=\"1\"\u003eAlong Ago: 1981-1989\u003c\/em\u003e\u003c\/strong\u003e (Box Set with 3 x lavender EPs)\u003c\/p\u003e\n\u003cp\u003eThe mid '80s were an exciting time for music in Kansai (Osaka-Kyoto), Japan. There were more stages for bands to play on, more releases by independent labels and a variety of bands playing in different styles. The 80s were also a time when women‚Äôs rights in Japan, though a topic of conversation, were not widely visible in the real world. There were very few women in the underground music scene at the time, but none of them dressed like punks or dyed their hair, or outwardly showed much interest in declaring independence from the usual rules. So, in 1981, when Hikko, Mika, and Emiko (aka Chasen-maru) first appeared together as OXZ, they were intentionally shocking.\u003cbr\u003e\u003cbr\u003eNothing happens in a vacuum, however. It was already acceptable for young women to form bands in the safety of their high school music clubs. They generally played cover songs at school events. However, actually stepping out into the dirty world of live houses was for the adventurous and compelled. To do so in OXZ‚Äôs overtly provocative, dramatic way was unheard of. Contemporaries of Shonen Knife, OXZ were known for the intensity of their live performances. Releasing their first EP in 1984 ‚Äì an 8\" EP ‚Äì their catalog belies their reputation for moody, dark post-punk ahead of its time. The bass and drums dominate; the guitars are angular and spiky ‚Äì punk, but with something extra. Along Ago: 1981-1989 collects the band‚Äôs entire catalog ‚Äì three EPs and a single ‚Äì alongside unearthed, unreleased demos.\u003cbr\u003e\u003cbr\u003eThen, 1989, it ended as the band went their separate ways. And the name? No one seems to remember how it came about, but it should be noted that in Japan, O means acceptable and X means rejected, so maybe OXZ means \"going beyond all usual standards.\"\u003c\/p\u003e\n\u003cp\u003eAlong Ago: 1981-1989 collects all of their records ‚Äì consisting of three EPs and a single ‚Äì alongside previously unreleased demos.\u003c\/p\u003e\n\u003cp\u003eLavender vinyl limited to 1500 copies worldwide with bonus tracks and 12-page booklet with essays, band timeline, and photos and ephemera.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 13.03.2020\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/5Bb4p9zdfNJh1AzxE9BdDo\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oxz","offers":[{"title":"Default Title","offer_id":39248604725397,"sku":"CT-293-C1","price":1150.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/image_1024x1024_9f77c5b4-3bea-4b16-85e5-0a1c95ec2f5b.jpg?v=1614164056"},{"product_id":"thesoftmoon-thesoftmoon-lp","title":"The Soft Moon","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\u2028\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\u2028\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\u2028\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Soft Moon | \u003cem\u003eThe Soft Moon\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLuis Vasquez's debut full-length album repressed. Raised under the burning sun of the Mojave desert, Vasquez channels both his punk upbringing and Afro-Cuban heritage to sculpt decidedly dystopian soundscapes for a new generation of torn romantics. It's a brilliant debut set somewhere in the near post-apocalypse where technology enchants as much as it destroys.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eNew edition black vinyl repress housed in a full color sleeve with insert sheet.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/47f4fYR89dSUgLY1UIpe49\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Soft Moon","offers":[{"title":"Default Title","offer_id":39248604922005,"sku":"CT-085-1","price":990.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/image_1024x1024_ee489bca-4d21-4101-8a44-f1ad36aaa023.jpg?v=1614164567"},{"product_id":"cocteautwins-garlands","title":"Garlands | LP","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eCocteau Twins | \u003cem\u003eGarlands\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eOriginally released in June of 1982, the debut album by the Cocteau Twins is considered far darker than some of their later offerings, being influenced by Siouxsie and the Banshees, early Cure and the Birthday Party. During this early period, Will Heggie's bass played a significant role in defining their sound, giving it a darker and heavily rhythmic, earthy texture. This combined with Robin Guthrie's minimalistic and heavily effected guitar arrangements; a great deal of distortion and feed-back, smoothed out with chorus, reverb and flanger. Beneath is the roland 808 drum machine thumping along, as distinctively Cocteau sounding as the guitar. All while Elizabeth Fraser seemed to veer into glossolalia and mouth music. Garlands marks the beginning of their haunting ethereal sound. A masterpiece.\u003c\/p\u003e\n\u003cp\u003eThis is Garlands’ first vinyl pressing in over a decade since 2009. Black vinyl, remastered from the original analogue tapes with art faithful to their original 23 Envelope designs.\u003c\/p\u003e\n\u003cp\u003eThe Cocteau Twins' debut album, released in the early autumn of 1982.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 20.03.2020\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe height=\"380\" width=\"300\" src=\"https:\/\/open.spotify.com\/embed\/album\/3yT1f4nGSy3BBw4ghtRF29\" allow=\"encrypted-media\" allowtransparency=\"true\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Cocteau Twins","offers":[{"title":"Default Title","offer_id":39255907729557,"sku":"4AD0192LP","price":1190.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/61AHKfnHrnL._SL1000.jpg?v=1614239648"},{"product_id":"girlband-thetalkies","title":"The Talkies","description":"\u003cstyle\u003e\u003c!--\n\/* Section *\/\n.section {\n  clear: both;\n  margin: 0px;\n  padding: 0px;\n}\n\/* Column *\/\n.col {\n  display: block;\n  float:left;\n  margin: 1% 0 1% 1.6%;\n}\n.col:first-child { margin-left: 0 !important; }\n\n\/* Row *\/\n.row:before,\n.row:after { content:\"\"; display:table; }\n.row:after { clear:both;}\n.row { zoom:1; \/* For IE 6\/7 *\/ }\n\n\/* Grid *\/\n.grid_1_of_2{ width: 49.2% }\n.grid_2_of_2{ width: 100% }\n\n\/* Full Width below 768 pixels *\/\n@media only screen and (max-width: 768px) {\n  .col {  margin: 1% 0 1% 0%; }\n  [class*='grid_'] { width: 100%; }\n}\n--\u003e\u003c\/style\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\n\u003cp\u003e\u003cstrong\u003eGirl Band | \u003cem\u003eThe Talkies\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Talkies is Girl Band‚Äôs follow-up album to their ground breaking 2015 debut Holding Hands with Jamie. The Talkies is living, breathing, in a continual state of metamorphosis. It encompasses everything there is to love about Girl Band while simultaneously causing an exciting level of discomfort. The moaning and sawing guitars, atonal blankets of sound, abstractive lyrical repetition, chugging snare and ascending \/ descending snakes and ladders noise-rock guitar deliver something that is so distinctively Girl Band. Prolix. Album opens to unsteady breathing. Slow at first, unwanted and out of time. Breathing shallows and discomfort deepens over the sustained heartbeat of a soon to be familiar A chord. This is Dara‚Äôs breath, this is his panic, a momentary, one-off lapse of control recorded and transmuted into a rhythmic, off-beat moment of disquiet to unlock Girl Band‚Äôs crucial yet quietly anticipated second album: The Talkies.\u003c\/p\u003e\n\u003cp\u003eBlack vinyl pressing, issued in a Gatefold sleeve with a printed inner sleeve.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 27.09.2019\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col grid_1_of_2\"\u003e\u003ciframe src=\"https:\/\/open.spotify.com\/embed\/album\/4HEm06MXeU971JnvRPstSw\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Girl Band","offers":[{"title":"Default Title","offer_id":39255908057237,"sku":"RT0065LP","price":1150.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/Girl.Band_.The_.Talkies.Packshot.jpg?v=1614252843"},{"product_id":"drab-majesty-unknown-to-the-i-black-12-ep","title":"Unknown to the I","description":"\u003cp\u003e\u003cstrong\u003eDrab Majesty | \u003cem\u003eUnknown to the I\u003c\/em\u003e\u003c\/strong\u003e - Reissue made available on black vinyl in 45 RPM 12\" format, bringing all early Drab Majesty material from the Careless era (2012-2015) to vinyl. Mastered by Josh Bonati with beautiful new packaging by Nathaniel Young.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 21.05.2021\u003c\/p\u003e\n\u003cp\u003eDrab Majesty's first release for Dais Records was the \"Unknown to the I\" cassette in 2015, which featured the title track that would later appear on his debut album \"Careless\" that summer. The additional early cuts \"Saturn Inc.\" and \"Ultra Violet\" have previously only been available on digital or as CD bonus tracks. Now, along with the \"Unarian Dances\" 12\" also released on March 26, these songs are finally made available on vinyl in 45 RPM 12\" format, bringing all early Drab Majesty material from the Carelessera (2012-2015) to vinyl. Mastered by Josh Bonati with beautiful new packaging by Nathaniel Young.\u003c\/p\u003e","brand":"Drab Majesty","offers":[{"title":"Default Title","offer_id":40644888363157,"sku":"DAIS073lp","price":650.0,"currency_code":"THB","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/DAIS073_digital_artwork__56723.1616046325.jpg?v=1626924174"},{"product_id":"a-place-to-bury-strangers-pinned-black-lp","title":"Pinned | LP","description":"\u003cp\u003e\u003cstrong\u003eA Place To Bury Strangers | \u003cem\u003ePinned\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003e- LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 13.04.2018\u003c\/p\u003e\n\u003cp\u003eA Place To Bury Strangers fifth full-length finds them converting difficult moments into some of their most urgent work to date. It’s their first since the 2016 election, and their first since the 2014 closing of Death By Audio, the beloved Brooklyn DIY space where founding guitarist \/ singer Oliver Ackerman lived, worked, and created with complete freedom. Pinned opens with Never Coming Back, a frightening crescendo of group vocals, vertiginous guitar work, and bassist Dion Lunadon’s unrelenting bass.\u003cbr\u003e\u003c\/p\u003e","brand":"A Place To Bury Strangers","offers":[{"title":"Default Title","offer_id":40645174296725,"sku":"DOC138lp","price":1490.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/01._a-place-to-bury-strangers-pinned-black-lp.jpg?v=1627012681"},{"product_id":"shame-drunk-tank-pink-black-lp","title":"Drunk Tank Pink | LP","description":"\u003cp\u003e\u003cstrong\u003eShame | \u003cem\u003eDrunk Tank Pink\u003c\/em\u003e\u003c\/strong\u003e - Black LP, includes printed innersleeve with photos and credits as well as a 29 x 58cm (11.5 x 23in) folded, poster insert with lyrics and credits on one side, canoe painting on the other.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eRelease date: 15.01.2021\u003c\/p\u003e\n\u003cp\u003eShame follow up their wildly acclaimed debut with a James Ford-produced peek into the riddled mind of the band's frontman, Charlie Steen. There are moments on Drunk Tank Pink where you almost have to reach for the sleeve to check this is the same band who made 2018's Songs Of Praise. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here.\u003c\/p\u003e","brand":"Shame","offers":[{"title":"Default Title","offer_id":40645175607445,"sku":"DOC204lp","price":990.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/01.shame-drunk-tank-pink-black-lp.jpg?v=1627034892"},{"product_id":"change-red-silver-galaxy-lp","title":"Change | Red \u0026 Silver Galaxy LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAnika | \u003cem\u003eChange\u003c\/em\u003e - Red \u0026amp; Silver Galaxy LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: 23.07.201\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e**Please note : pre-orders will be shipped out within 2 - 4 weeks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWhen asked to describe the circumstances that influenced her beautifully fraught new work, Berlin-based musician Annika Henderson - better known simply as Anika - quickly articulates a set of feelings and unpredictable circumstances that are familiar to anyone who tried to make art - or simply tried to live through - the recent global pandemic. \"It's a moment caught in time,\" she says of Change, her much-anticipated new record. Given that it has been 11 years since the release of her last solo album, 2010 cult-favorite Anika, the artist suddenly found herself with a lot to say. \"This album had been planned for a little while and the circumstances of its inception were quite different to what had been expected. This colored the album quite significantly. The lyrics were all written there on the spot. It's a vomit of emotions, anxieties, empowerment, and of thoughts like‚ÄîHow can this go on? How can we go on?\"Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wisened perspective of an outsider. It's a perspective that is not lost on the British ex-pat and former political journalist. \"'Sand Witches' is about England. My old home,\" she says. \"I gave up my UK passport when I moved to Berlin 10 years ago. Now I am a foreigner in both lands, belonging to neither. Sometimes I find it hard to recognize the place I came from.\"Despite the subject matter and the circumstances around its creation, Change itself is ultimately a treatise on optimism. The title track presents the album's message writ large: I think we can change, we all have things to learn, about ourselves and about each other. To end the record on such a sanguine note might be one of Change‚Äôs most revolutionary gestures. \"Another book that affected the brain of this album was Hannah Arendt‚Äôs The Banality of Evil,\" explains Anika. \"In the context of the Trump era, it was interesting to see how 'evil' was put on trial after his downfall. When evil loses, how is it put on trial? How do those who actually held the hand of evil during the evil, sneak into the seat of judge and Jury during the trial, booing with the crowd as if they had no involvement and were not cashing in on the evil's wild rampage. How are all the evils pinned on that one individual as a way to pardon a whole society that partook in that evil? I suppose this is what Change is about, setting out the hope that we can change, that even those who cheered on the evil can ultimately change their ways.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Anika","offers":[{"title":"Default Title","offer_id":41088157581461,"sku":"SBR276lp-C1","price":1390.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/418465203662.jpg?v=1631338058"},{"product_id":"esg-keep-on-moving-black-lp","title":"ESG | Keep On Moving","description":"\u003cp\u003e\u003cstrong\u003eESG | \u003cem\u003eKeep On Moving\u003c\/em\u003e - LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: 02.11.2017\u003c\/p\u003e\n\u003cp\u003eSampled on TV ads, lauded by critics and swooned over on the dancefloor, ESG’s post-punk took out the grunge and polished the basics.\u003c\/p\u003e\n\u003cp\u003eKeep On Moving’ was released just over ten years ago to much praise (Q said it was “even better” than 2002’s much loved ‘Step Off’). Inadvertently they unmask techno and glitch and leave out any kind of superfluous fluff. It’s hard and temple throbbing. Turn it up. And keep moving.\u003c\/p\u003e","brand":"ESG","offers":[{"title":"Default Title","offer_id":41326407745685,"sku":"T29338","price":1490.0,"currency_code":"THB","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0402\/9805\/3781\/products\/ESGKeeponmoving.jpg?v=1634455341"},{"product_id":"new-order-thieves-like-us-black-12","title":"New Order | Thieves Like Us | 12\"","description":"\u003cp\u003e\u003cstrong\u003eNew Order | \u003cem\u003eThieves Like Us\u003c\/em\u003e - 12\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date: 02.10.2020\u003c\/p\u003e\n\u003cp\u003eThe band’s seventh single remastered from the original master tapes at Abbey Road Studios\u003c\/p\u003e\n\u003cp\u003eOriginally released on Factory in April 1984, the title is taken from the Robert Altman movie \"Thieves Like Us\". 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The German studio project’s 1980s recordings had been compiled on the now cult-classic double LP Saâda Bonaire, released by Captured Tracks in 2013. Though the group had continued working until 1994, founder Ralph “von” Richtoven had firmly stated that all of their post-1986 work was lost. Released now for the first time ever, 1992 compiles the band’s long-lost early nineties material. Produced between Bremen and New York City, the 12 songs presented here capture the group’s attempts at steering their trademark fusion sound (reggae, afro-funk, Eastern music, and sultry German female vocals) into uncharted nu jazz, trip-hop, and house territories.\u003cbr\u003e\u003cbr\u003eIt’s no surprise, given both the time lapse and the fluid nature of the project, that these recordings differ sonically from the 1980s material. 1992 finds Saâda Bonaire folding new influences from the time (house, hip-hop, rap) into their eclectic sonic universe. Vocalist Andrea Ebert’s soulful voice –the result of a church choir background and an early love of American soul and jazz music– offset Stephanie Lange’s laid-back, more German-sounding vocals. This unique interplay bolstered the band’s new direction - evident in their inspired takes on JamesBrown’s “Woman” and Syreeta Wright and Stevie Wonder’s “To KnowYou Is To Love You”. The American influence was also made literal via contributions by renowned DJ Matthias Heillbronn and rapperJimmy Lee Patterson, both of whom lent some stardust to the tracks at François Kevorkian’s Axis Studios in NYC.\u003cbr\u003e\u003cbr\u003eUnfortunately, the demo recordings were considered too bizarre for 1990s record label standards, and as a result were never published. As with all things Saâda Bonaire, the discovery of these discarded recordings feels like a sort of magical impossibility. 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